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Marcus Appelberg: Prêt-à-porter

April 19, 2024

"I think the way clothing and draperies are depicted in old paintings and fashion images was always something I was drawn to, and how can you not be amazed by the way Michelangelo depicts flowing fabric in marble?", says painter Marucs Appelberg, who is currently presenting a solo exhibition at Galleri Flach in Stockholm.

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Burn baby burn

April 18, 2024

"In terms of optics; Martin Scorsese’s 40 years old and upon its release, box office failure, The King of Comedy comes to mind. It might not be obvious, but from one likely cinephile such as Carrasco to another; me, it will be.", writes Ashik Zaman after the premiere of Mari Carrasco's Burn baby baby per Dansens Hus. 

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Jefta van Dinther: Unearth

March 15, 2024

"They all carry a tune, they join in unison harmonies and deliver solo singing streaks that make you wonder where such versatile, gifted performers all were made. Unearth, suffice it to say almost immediately taps into the current collective psyche and zeitgeist of existenstial dread and guilt; seeing what we’re all seeing around us", finds Ashik Zaman about Jefta van Dinther's most recent piece Unearth.

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I Kiss Your Eyes

April 6, 2024

"The exhibition itself is a slow burn. Both Conny Karlsson Lundgren as an artist and Joanna Nordin as a curator share an attention to detail throughout, making for a confident and carefully spatialized

exhibition". Our contributor Erika Råberg puts pen to paper about the mid-career survey I Kiss Your Eyes, noting the travelling of images in time and memory.

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March 9, 2024

If MDT (Moderna Dansteatern) stood for; M for music - D for dance - T for theatre (it doesn’t - the music isn’t a pillar in there), choreographer Yared Tilahun Cederlund’s PULS would have draped closely around the M and T. As such, PULS traverses into a concert of rhythms and harmonies; or an existential ”musical”.

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Liz Kinoshita: Midnight Oil

March 6, 2024

Between a troupe that was configurated and armed with emphathetic, engaging demeanour and gestures in relation to the intimately gathered audience, and an audience in turn marked by an older, white middle-class demographic", Midnight Oil reeked with a certain fraicheur already from the outset, that if translated would amount to a field of daisies.

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