"Honerud draws on writer and thinker Rebecca Solnit’s rejection of the binary between optimism and pessimism regarding the future. Progress is not linear, and the effects of collective effort can be difficult to recognize in real time, often becoming visible only with hindsight. That uncertainty, however, leaves room for hope, an idea reflected in Aletheia," writes Koshik Zaman about Hilde Honerud's new solo at MELK in Oslo.

"This is perhaps Louisiana Literature’s greatest achievement. It has prestige without behaving prestigiously. There is no separate festival compound to penetrate, and no expensive pass required to prove the seriousness of your literary intentions. The festival programme is included in the ordinary museum admission," shares Kasia Syty in our report from Louisiana Literature, collectively authored by a team of five.

“Aurèlia Muñoz was avant-garde in her use of textile as a medium, and a foundational contributor to the contemporary canon of textile art through the Nouvelle Tapisserie movement,” notes Alexander Hughes of her retrospective at the Reina Sofía in Madrid. Coinciding with the 100th anniversary of her birth, the exhibition does justice to her career, with more than 150 works on display.