My Very Own Abyssal Archetype
June 7, 2026
My Very Own Abyssal Archetype is curator Ruby Henderson-Leconte’s musing on the mermaid as a notion at Parallel Collective Gallery in Stockholm. ”Across textile, moving image, sculpture, and performance, the myth refracts its own history, finding new forms and evocative meanings in the contemporary condition” she suggests.
Low Expectations: Eivind Landsvik
June 6, 2026
Having recently returned from Cannes, one of our editor Koshik Zaman's standout discoveries was Low Expectations, the feature debut of Norwegian director Eivind Landsvik. The film stars Marie Ulven, better known by her stage name, Girl in Red. Still riding the cinematic high of the festival, Zaman caught up with Landsvik to discuss his impressive debut, which is set to make a significant impact when it arrives in cinemas later this year.
Breaking time on the wheel
May 28, 2026
“At times I winced, imagining how much stress a knee or elbow of Apetrea’s was under. When they separated, I would sometimes notice a new red mark or other evidence of dermal friction. They got sweaty. They breathed audibly. Quigley inserted and removed a mouth guard a few times.” writes Zachary Whittenburg about DANCERAMICS, as part of Revolve Performance Art Days 2026.
Samaneh Reyhani: Sculpting poetics
May 28, 2026
This summer, the Carl Eldh Studio Musuem makes for the works of Iranian-born and Malmö-based sculptor Samaneh Reyhani. We had the immense pleasure to reconnect with Reyhani through C-print's Corina Wahlin about the distinct honor to present at the museum, following working with her on the 2021 exhibition Future Watch at Kulturhuset in Stockholm.
Logic of happenstance and now
May 22, 2026
Grad show season, and it’s been over fifteen years of seeing the spring degree exhibitions of Mejan. “A constructed adjective that sometimes has been used to address it is “Palais de Tokyo”. Hyperbolic as it is, and it really is, it means the shows have often shown art that suggests a belonging in curated institutional and museum contexts far away from art school premises,” notes Ashik Zaman in a review about the school’s MFA spring exhibition.
Alexander Ekman: Hammer
May 15, 2026
Grad show season: Since 2013 (13 years and counting!), C-print has turned unprecedented focus on artists emerging out of art schools. It's grad show season, so coverage is due. When team C-print swings by, you will know. We checked in with a number of spring graduates from Swedish art schools. Keep an eye out for them and many of their peers.