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Escarleth Romo Pozo offers three in one

Sep 29, 2026

“Escarleth Romo Pozo is a soloist whose presence hits you with the force of an ensemble,” writes Zachary Whittenburg in his review of La Mala at MDT. The performance moves between “ominous and weighted” scenes and a middle act of “manic glee,” exploring motherhood, resilience, ancestry, and survival.

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​A Word for a World

September 28, 2026

Czech curator Zuzana Malina ran into her old friend, Polish visual artist Dominik Wojciechowski, at this year’s Rencontres de la Photographie in Arles many years after they met as photography students.

She left with a copy of his book, Svijet. She reflects on his years of working in the countries of the former Yugoslavia, the carefully handmade object he created, and a world that no longer exists on a map but lives on through people, memories and the objects that carry it.

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Back to books for fall 2026

Aug 25, 2026

For C-print’s fall reading list, Corina Wahlin has been looking for works that “distinguish themselves for their high quality and unique perspectives.” High on the list is Marlon James’s latest novel, The Disappearers, which chronicles queer life in Jamaica in the 1980s and 1990s and follows a group of gay men whose lives are transformed by a homophobic attack.

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​Stockholm fall 2026 dance preview

September 4, 2026

Dansens Hus is the place to be throughout October, with promising programs of its own as well as partnership engagements. MDT’s fall lineup is similarly stacked and its newly renovated lobby offers better lighting and more room to mingle. Meanwhile, September Sessions returns with a menu of internationally sourced, contemporary creativity in various venues. Check out Zachary Whittenburg's fall dance preview for Stockholm.

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​January 2567​​​

Aug 28, 2026

This summer, our editor Koshik Zaman reached out to Thai-born, Norway-based artist Apichaya (Piya) Wanthiang, whose awe-filled exhibition January 2567 is entering its final week at Artipelag. Initially trained as a painter in Belgium, Apichaya discusses her shift towards an interdisciplinary practice and her process of refining ways to create spaces that invite viewers to engage, and spend time within them.

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Aletheia​

​Aug 25, 2026

"Honerud draws on writer and thinker Rebecca Solnit’s rejection of the binary between optimism and pessimism regarding the future. Progress is not linear, and the effects of collective effort can be difficult to recognize in real time, often becoming visible only with hindsight. That uncertainty, however, leaves room for hope, an idea reflected in Aletheia," writes Koshik Zaman about Hilde Honerud's new solo at MELK in Oslo.

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