"In this work, the sculptures got their shape from the contour of the mainspring of a clockwork. It is a small spiral of spring steel that can be wound up to create tension and that drives the inner mechanism of a clock," says Liva Isakson Lundin, as we catch up with her about her recent exhibition at the Royal Academy of Arts, leading up to her next solo opening in May at Wetterling Gallery.

“Ekman is a choreographer who absorbs and leverages what his lauded peers do best, without it seeming like plagiarism. He is immensely skilled at making non-narrative performance that feels just as full of the sweep of life as an epic film or a classic play. He does this in part through his canny understanding of how to mix pre-existing stage languages into his own bespoke blend,” finds Zachary Whittenburg in his review of Hammer.

Robyn Mineko Williams presents her first major institutional exhibition outside of the US at Konstnärshuset in Stockholm. The exhibition, which aligns with the notion that history tends to repeat itself, looks through a personal lens at the incarceration of the Japanese American diaspora after WWII, a historically shaped narrative that is spoken of very little there, and known even less about here.